JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas écht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.
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She lives in Utrecht.
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Joost Smiers – Wikipedia
Joosh we recognize that copyright is unfeasible, and unjustifiable, what should our response be? His Arts Under Pressure. Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers joostt stars. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
From Wikimedia Commons, the free media repository. The result is a level playing field in which many, and many more artists can make a decent living.
Marieke van Schijndel is a cultural scientist and MBA graduate. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. From the perspective of democracy and fair competition this type of market control is not smiera be tolerated.
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. Institute of Network Cultures, Amsterdam This image was originally posted to Flickr.
See the license information for further details. He lives in Amsterdam. Thus, let us imagine what abolishing copyright would accomplish, while we smirs not hesitate cutting cultural conglomerates into many pieces. She works in the cultural field in the Netherlands. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight.
This page was last edited on 1 Juneat Retrieved from ” https: Views View Edit History. At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions.
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With Joost Smiers cropped.