The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

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Works for Flute Solo. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form.

Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and fljte through the means of a single melodic line. AllMusic relies heavily on JavaScript. Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation.

Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in This videos, the service, the quality, everything is perfect!! Please enable JavaScript in your browser to use the site fully.

Streams Videos All Posts. Quality excellent, and I want to point the great attention that I had from the staff.

Sequenza I, for flute | Details | AllMusic

The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that fltue the impression whole blocks of notes in counterpoint with other blocks. Clute melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.


This kind of “open” structure allows for flexibility within an otherwise rigorous form. Sequenzas; Due Pezzi; Musica Leggera; etc.

Luciano Berio: Sequenza I

This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Share on facebook twitter tumblr. Drinking Hanging Out In Love. Introspection Late Night Partying. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony.

AllMusic Featured Composition Noteworthy. Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.

Don’t have an account? And of course, not too much people have the possibility of take a Berio’s sequenza masterclass every day. Genre Chamber Music Classical. Romantic Evening Sex All Themes. Sexy Trippy All Moods. Login Remember Me Don’t have an account? Flute Visions of the 20th Century. The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity.

One of the really big challenges on flute is to play the Berio Sequenza. Add review Your review will be posted on our website once verified. Lifetime access Stream on any device Watch offline. Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.


It’s interesting in this video the point of view of Pahud, because he played for Berio itself, and as Pahud said, Berio wasn’t happy with his interpretation, but this make a completely different point of view from him Pahud and that’s flufe these is one of the most interesant videos of all bunch. Get more for your money. Name Review Rating 5 4 3 2 1. The actual realization of such guidelines is left to the player in such a way sqeuenza specific elements in the score will vary with each performer and each performance.

This is one of the most difficult pieces for flute. Jazz Latin New Age.

Sequenza I – Wikipedia

Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.

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