ALESIS. MidiVerb 3. Reference Manual SECTION 1. MIDIVERB III QUICK START. The Alesis MIDIVERB III is a high quality multi-effects unit which. Find great deals for Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor. Shop with confidence on eBay!. REVERBS. Chorus-Reverb-Delay-EQ. Small Bright Room 1. Small Bright Room 2. Small Warm Room. Small Warm Chamber.
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The manufacturers would, I’m sure, argue that this simply represented the next logical step in reverb unit design, but I have a suspicion it had something to do with musicians and studio engineers soon realising that having 30 or 40 different reverb patches to play with sounded great, but trying to discern more than about a dozen of them within the context of the average mix was damn near impossible.
To my mind it offers just the right amount of programmability for an effects unit – and if that seems to imply I think some units offer too much, I won’t attempt to deny it. Previous article in this issue: This is quite straightforward in operation apart from its use with gated reverb effects where it is used to determine the length of the gated sound, and on reverse reverb where, for obvious reasons, it has no effect at all.
And this being the case, actually having a half-second delay at your disposal in any form can only be regarded as a bonus. The six parameters available for control are reverb decay time, reverb level, delay time, delay level, delay regeneration feedback and chorus speed – giving a total of 48 routing options together with control of modulation amplitude by either a positive or negative amount.
IN OUR RUSH to condemn the system by which we are constantly entreated to upgrade in favour of “this year’s model”, few of us, I suspect, ever spare a thought for the hapless designer whose job it is to see that we surrender to our acquisitiveness and reach for the cheque book or credit card.
All user reviews for the Alesis MidiVerb III
Finally, there’s the simple but all-important 9V socket through which the Midiverb draws its power. If you’re enjoying the site, please consider supporting me to help build this archive All audio inputs are high impedance for optimum signal matching to external gear, and this may include a directly connected microphone if you’re prepared to put up with a little extra noise.
In fact I’d go so far as to say I don’t think it would be possible to achieve much more with what’s available. These two groups are then sub-divided to each provide six mono and six stereo effects, varying in intensity – from small to big depth, as the manual so quaintly puts it. Even with its restricted programming options, the Midiverb soon exhausts the range of conventional characters and starts to rely on cryptic combinations of upper and lower case letters which often defy recognition without the instruction manual in your hand.
As with reverb, the first edit parameter in the chorus section allows you to choose the algorithm which forms the basis of each program. Subscribe to alesia free newsletter Subscribe.
The first of the two reverb parameters, Reverb Algorithm, offers you a choice of 20 different reverb types from a list which includes halls, chambers, rooms, plates, reverse and gated effects. Reverb delay chorus y chorus What technology is used? There are 15 configurations in all, consisting of various effects combinations – though in nidiverb cases, the input filter of the EQ section comes first in the chain.
User reviews: Alesis MidiVerb III – Audiofanzine
And despite its inherent limitations the delay section acquits itself midivedb – even below the ms mark, you can coax enough slapback echo and ADT effects out of it to make it earn its keep. As explained earlier, the maximum ms delay is available only in the last two configurations 14 and 15which do not include any reverb effect. Certainly, this new level of sophistication has made them a viable and cost-effective alternative for guitarists and other instrumentalists – the days of dead 9V batteries and flangers taking miiverb short way off the front of the stage may soon be over.
Our members also liked: This kind of facility, as you might imagine, makes the Midiverb highly useful slesis live situations, where a player may find it difficult to move away from his or her instrument – another indication, perhaps, that Alesis were looking to extend the appeal of this unit beyond that of the home and semi-professional studio user.
Searchable archive of old, out-of-print music production magazines. Incidentally, all mapping functions are global and cannot be stored with individual programs.
Control over delay consists of two straightforward parameters for adjusting Delay Time and Regeneration feedback – which, when you think about it, is really all you need. Actually, this is tied in with the fact that Alesis used to fit miniature 3. As explained earlier, the high-cut filters which mmidiverb the basis of the Midiverb’s EQ section may be applied individually to either.
These are accessed by first selecting the relevant effects button and then pressing the Edit button once for the first parameter, and again for the second.
Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor | eBay
Please include your email address if you want to be contacted regarding your note. The Midiverb III keeps you on the right side of that line and for that reason alone I’d recommend it wholeheartedly.
There’s no doubt that the specifications of the Midiverb III – the latest in Alesis’ range of budget reverbs – would put your average double bucking, tube screaming, electric cry-baby effects pedal to shame: I’d have thought they might be tempted to move away from the kind of name which suggests these are simply reverb units.
Review by Nigel Lord. Following the emergence of Yamaha’s hugely popular SPX90, a few years ago, it quickly became clear that the way forward was the area of multi-effects, where a single unit was capable of providing reverb, chorus, ADT, flanging and delay in various combinations – and, of course, under the control of MIDI.
It really helps – thank you! The last of these, EQ, though not, perhaps, an effect per se, is nevertheless highly useful on a unit such as this, as it can be applied individually to the input signal and to any of the other three effects, making it possible to determine the ‘colour’ of the reverb, for example.
It achieves this status by virtue of being programmable – which the Midiverb II is not – but having fewer effects and a slightly less impressive spec than the Quadraverb.